"Connolly has a rich and mature baritone voice that in the first act conjures up that particular hint of world-weary cynicism" (Play to See)
"...le sourire et les mimiques se sont aussi expressifs que la voix noble en émission, avec des graves creusés et un phrasé particulièrement soigné" (Olyrix)
"...the Onegin of Ambrose Connolly… became quite hair-raising as Tatyana’s physical restraint finally gave way and both singers (skilfully) pulled out the stops.“ (Opera Magazine)